10 years after first DCI specifications release, mastering for digital cinema still requires knowledge and attention. SMPTE DCPs allow larger possibilities but add complexity in the mastering process.
All flavors of SMPTE DCPs are supported according to latest specifications, including ATMOS and other immersive auxiliary tracks. Old DCPs in Interop can be repackaged as well.
Editing tools for creating multiple version include titles and captions management, markers, or audio mapping.
TV or web versions from a DCP package can easily be created using the rendering flowgraph : resizing and color space conversion apply on the fly for simultaneous multiple stream of rendering.
What you see is what you get: our solutions output directly in XYZ color space to verify color integrity. Playback in real-time is granted for 4K DCI. Validation tests are also available to control the packages.